initial impetus

All possibility was a guiding principle for Larz. If something could be dreamed of then it was achievable. Regardless of time, technology or obstacles he firmly believed that ultimately any thing was possible. Mirrored dimensions, time envelopes and cosmic streamers were conceivable. In fact, those were some of the concepts he had dabbled in. A true scientist would not tread into such disputed territory. That is exactly why Larz dove into the unknown. His instincts told him not to follow the sages of the day.  There was a popular mix of fact and conjecture in modern astronomy. Some postulates furthered the mystique of outer space. But information was largely based upon a myopic view of the universe. The current gospel was just the latest version based upon long held assumptions. What other choice was there? We could only perceive the universe through an electro magnetic flux. 

It was clear to him that the universe inside of us was a reflection of the outer universe. On the outset that seemed to be an outlandish claim. The notion was not apparent until the meta and meta physical constituents deep within were studied. He had identified some of the associations and roles of the members. So, he set out to draw a vertical nDNA music scale that conveyed the base findings of his journey. It was one of those rare times of clarity and purity that rendered a sense of completeness. What emerged was an organic circuit that he had not seen before. Of course, he was in the business of intuitive reasoning. That entailed pulling concepts from out of mid air. They often stood apart from accepted norms. Such idea amalgamations were comforting to him. So, Larz didn't bother to check if such a construct had been done. Where would you begin to look, anyway ?       

Assembly

A silent song of life represents the angular, male version of a natural binary. An aggressive, jagged lightening bolt descended only to return as any alternating current would do. Larz subsequently did a female version of the scale which was covered in notes-2c. The restlessness of the male component was countered by the calm of female steadiness. The scales reflected life as held within a crucible. The entities were energized by straight lines of the male counterpart. Curved female lines offered warmth of content that imparted emotion. Natural complementary opposites achieved balance that was consistent throughout the universe. 

Larz sought to balance the physical based construct, shown above, with a spiritually orientated view of creation. He turned to the first Book of the Believers to see what was presented. Surely, he thought, the building blocks of the making of the  world could be found in Genesis . The classical version was the 400 year old King James Version  (KJV). It had direct translation roots into the Greek and Hebrew word usage. Some considered it clumsy or old world but he found it refreshing. It carried an air of authenticity and charm that modern versions lacked.   Larz liked to print out the chapters so that they were on one page. Each verse occupied a line or two depending upon its length. The line by line breakdown was used to facilitate analysis.  

The story of creation has been told in various forms by most civilizations. Recurrent themes permeate the entourage of spirit entities, transient beings and sacrificial innocence.  All hinge on the idea of consequence for behavior.  The support for a particular doctrine ranged from passive to out right aggressive. Earthly truth is a relative formulation. Native universal truth did exist, often buried by human intent. The undeniable was what he was shooting for. Funny how some seek the higher power while others are repelled by it. Attraction seems correlated to the level of self absorption. He began to wonder, was the human psyche negatively or positively charged from its inception? 

Action and reaction

A concept was born when drawing the various aspects of a Triangulation Motor in notes-1f. The interplay of oxygen and hydrogen was the main driver of that interpretation. They provided the action, once the switch was thrown, to empower an entity. Larz contended that Earth itself was a living, breathing  entity. The account from the first Book of the Believers layed out the birth of a planet. The underpinnings of it were the same for all processes and beings on the planet. He viewed his rendition of creation as an extrapolation of the meta data within. What emerged were logical associations and schemes that felt right to him. He hovered at an intersection where the gyro pulse facilitated the initial impetus of solid formation.

The drawing was simple and complex at the same time. Over the many sessions it took to develop he stared into the deep well of all possibility. Being sung into existence was a notion that buoyed the project. A stream of consciousness took over when he carved out time to float. Words and pictures volunteered themselves when he was able to separate from the world. He yield himself to the project by blocking out the strife of the world. The calming solitude he experienced was as a reflection of the universe at rest.

Needless to say, Larz was quite taken by the novel presentation of the first chapter. It was his contention that forces beyond his mind and psyche were responsible. He thought of it as being a conduit of the electro magnetic knowledge. Such artifacts floated around in the air outside of our heads. Through intentional volition those free radicals were subconsciously sorted out in the mind. As with early computers, which mode was active when the on switch of enlightenment was thrown? The natural reactions would be to repel, attract or remain neutral.  Perhaps perception relied upon the innate + or - charge of the resident psyche.