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Larz had been a fan of geometry since childhood. His doodling often involved cube variations that elongate and curve. Twelve simple lines that defined space in multiple ways. When you focused on certain lines the box could be seen as an internal or external drawing. Peering into the cube, he could watch the aspect change randomly as his stare deepened. An object placed on one of the planes helped to define the space.
As an adult, he found more sophisticated ways to look at the geometric shapes. During the early 2000's Larz did a random search for information involving Schauberger who was a self trained physicist. Among the search results was an excerpt from a natural energy symposium from that period. The upper third of the image shown is an excerpt from the lengthy pdf. The lower two thirds of the image were spawned from his imagination. Logical inner characteristics of thirds emerged that he found very compelling. True to his instincts, Larz read only the blurb shown. It was enough to stir his imagination. Larz thought that extending those base principles into worldly constructs was best served through intuition. He had little curiosity about the findings of others . Eventually the applications would be proven true or not. Verification or dismissal of the concepts relied upon independent study and accurate sources. He sought to avoid being tainted by thought that could lead down the wrong path.
The base concepts struck Larz as a concise synopsis of the creative forces. An underlying system was proposed that was very economical. It featured the relationship between numbers and geometric space. How they coalesce was most insightful. He combined those two aspects with the principle elements. The result was a model of the viability of an infinite circuit. Applying a residual frequency to the construct seemed to explain how the movement progressed. He sought to further develop ideas that employed the base number string. So Larz drew what he saw in his mind. He was sold on the premise that simplicity was more powerful than complexity.
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Assembly
Larz instantly recognized that the 3 6 9 principles could be applied to the ideas set forth. He then naturally extended the concept to encompass the creative forces. He found the roles of numbers to be captivating. All had multiple roles that meld into 9 at each level. Three renderings emerged from his pondering. First, an organic circuit was drawn. The 1 was held in reserve to be the radial establishment within the created sphere. The second displayed single digit interconnectivity. For instance, 4 was the quadrilateral grid that maped out the nature of the duplicated sphere. Interactive base numbers were seen as containers. In the third rendition, 7 was the trans dimensional operative. It emulated original instruction into the sphere. The simplistic drawing showed deflection as a model of nDNA replication. Regeneration operated through the vortex surface tension drive.
The relationship between cylinder and sphere was a focal point. He was interested in the space where the two structures glanced off of each other. It would be interesting to see the action that happened in the space between them. That neutral space was, perhaps, the prime mover of the model. A system of two cubic octave circles was represented. As a double torus, they were spawned to achieve a squared (8=2x2x2) mirror. Physicality was the eventuality of the those processes. By its nature, the created matter masks the how of creative generation. He wondered if a chiral reflective fractal initiated the process. Larz sat and imagined the action - reaction of the 33 degree star retrograde. The one third represented an inner process. The two thirds were where the external manifestation was initiated.
Ultimately, the man existed within a sphere of influence. It was much more literal than most people suspected. Larz took a crude photo copy of the Divinci Vitruvian Man . He had done a color nDNA tracing of his favorite model on a transparent sheet. Putting them together, he first saw a colorful moth. Then he noticed that the angles and size were a close match. The internal nDNA process operated at right angles to the entity within the circle. Merging various drawings was a muse to him. The exercise ate up all too much time, to his estimation. But, of course, only through emersion could a convert be totally indoctrinated.
Larz: Lately there are some concepts that have stirred my imagination. They led to being in a bubble of sorts that can harbor life where ever it goes within a rectangular continuum.
Shirley: Looks like the man has swords guarding the portals to outer space. The central one is the cross that the believers speak of ? Seems like an appropriate placement for creation to dwell.
Larz: Very good analogy with scriptural relevance. Notice the initial nDNA pairing on the right and on the left is the telomere.
Shirley: That is fun to imagine it undulating like a common flagella. Or,is the sword waving a white flag?
Larz: Ha! You have been around me too long. Yes, in this day and age I wouldn't doubt it. My impression is that it is an antenna. It is thought that there is a correlation between telomere length and longevity.
Shirley: Interesting, too bad our collective knowledge can barely fill a thimble. Your insight promotes a loop of electro magnetic feedback.
Vibration and spin
Standing waves of alternate current were shown in the image below. Larz was playing with transparencies on top of a drawing he had done. The cross section of a carbon nanotube (CNT) was a concept given to him. He had pictured nDNA strands within the CNT but was not sure if such could be the case. He utilized his standard size drawing to test the case. The antique drawing fit right on top of his without alterations. Again, he ran into a drawing alignment that peeked his interest. He had been searching for avenues of internal energy processes. A book was given to him that introduced a figure of the past. The idea of sympathetic vibration was introduced by John Keeley in the late 1800's. As it went, the father of modern atomic science was met with distain by popular science. Just another scientist pushed to the fringes. Yet, he was way ahead of his time. It is interesting how the atomic symbol he drew became the internationally recognized sign . Larz believed that the drawing intuitively offered a visual organic connection within the psyche. In other words, it just made sense. He, for one, could see it in his minds eye.
Larz noticed that the drawing upside down looked like a man running. Then he put another on top in the opposite direction. The result reminded him, in a strange way. of the Vitruvian Man. The perimeter waves were consistently placed and lined up. The arc lines countered each other like waves in the Pacific Ocean Ring of Fire. Yet, the circles and vector rays were in a state of oscillation. Radiant energy was the source of vibrancy to sustain the container. The core of the entity was at the belly button. From within, the entity neutral center was run by a natural pump. He believed that music emanated from the feet of men. Vibration from the grounded bottom (in) was processed in the center for transmission upward (out) beyond the boundary.
Larz focused his eye upon a three dimensional bubble. He pictured a butterfly fliting throughout the cosmos. And considered the first task to enable outer space travel. That was the formulation of a geometric space to live within. That was when he returned to the properties of a single CNT. The possibilities were endless with the application of multiples. His composite drawing snapshot looked like a gray translucent photon. Light emitted from the top portal end. The generational beacon was sent into the ether to attract an appropriate suitor.
Men were imagined to traverse the harmonious music scale universe. They sought the attractive vibrations that would infuse into them. From within their geometric space, they skied within the wake of an etheric tide. The analog men trailed behind digital streamers that had been sent ahead. The inquisitive scouts were number schemes, programed to provide feedback from the unknown. On the fly, they charted a grid that indicated paths of lease resistance. Ultimately, the men were common particles that rode the cosmic waves.
